As members of the Austin Film Society Philo & I occasionally get to see movies before they're released. A couple of weeks ago we saw Stardust, which opened on Friday. The trailers made me think of old favorites like Time Bandits , Willow, and The Princess Bride, where the tongue is held firmly in cheek as the hero wields his weapon. Stardust did resemble those movies, but with modern computer effects and sensibilities reflecting changing social attitudes. I liked how the movie looked on the screen, large and romantic with some lovely sweeping views. Claire Danes and Charlie Cox play the hero and heroine, but with Robert De Niro out-Depping Johnny, and Michelle Pfeffer shedding her leading-lady skin to emerge as a wickedly funny villainess, the young actors have to fight for leading status. This is not a great movie, but I think it's a good one - and it was lots of fun to see it with a summertime audience in an airconditioned theater - I even got the souvenir poster above to bring home. 
When the Austin Film Society sent a notice for a screening of Werner Hertzog's new movie, Rescue Dawn, I told Philo about it so he could act fast and snag a pair of tickets. Philo really liked the 1997 documentary Little Deiter Wants To Fly, about Dieter Dengler's experience as a prisoner and eventual escapee in Laos during the Vietnam War. My husband wanted to see the new fictionalized version but was surprised to hear that I did. It kind of surprised me, too - but I'd heard about the documentary from Philo, heard interviews about both movies with Terry Gross on NPR and most compelling of all - it starred Christian Bale and Steve Zahn. That's one reason I can't be a movie critic - I like actors way too much to be impartial. Philo noticed big differences between Little Dieter Wants to Fly and Rescue Dawn. In the documentary, Dieter goes back to Laos, speaking of his adventures in a very matter-of-fact way while meeting many people who helped him. Christian Bale is more of a superhero in the film, which was very intense and dramatic and gripping. I liked it a lot, was completely blown away by Steve Zahn's performance and was surprised at how much dry humor threaded through the story. There are reports that relatives of other men who were in that camp are angry that Hertzog used the prisoners' real names while fictionalizing their personalities and changing events. That part does bother me - why didn't he just give them different names? It also surprised me when some glossy scenes that seemed unreal turned out to be factual, while other, quite believable scenes were fabricated.
Is there any way to watch a movie set in a tropical jungle without past images coming to mind? I guess after decades of watching actors push through greenery in the rainy season, those visions are embedded on my cortex - I saw flashes of The Deer Hunter, The Emerald Forest, The African Queen, Anaconda, Hertzog's own Fitzcarraldo, the documentary about the making of Fitzcarraldo called Burden of Dreams and The Vertical Ray of the Sun. I couldn't forget other prisoner of war movies like Stalag 17 , The Great Escape, and Bridge On The River Kwai. A few scenes echoed such unlikely movies as South Pacific, The Sound of Music and Camille!
I don't, however, think this means Hertzog was derivitave - I think it means that I've been watching movies for a long, long time!
My fast work in getting tickets for Rescue Dawn gave me trading points when choosing the next movie to see - I'll bet this kind of bargaining is common! We'd watched The Good Shepherd on DVD a few days after the Hertzog movie. While I liked The Good Shepherd, it was yet another story that involved interrogation and torture. I demanded a movie with some fluff, some songs, some Johnny Travolta in a dress!
Some people who loved the original Hairspray are ready to hate this new musical version - but by thinking of it as a completely separate movie I thought it was lots of fun. All the versions use music to celebrate individuality, acceptance of body size, interracial romance and the vanquishing of snobs, but things have changed in the nearly twenty years since Edna was played by the outrageous transvestite Divine followed by Broadway's Harvey Fierstein. With so many actors gay & straight vying to don that outsize bra, playing Edna in Hairspray may become the pop equivalent of the celebrity guest role of Mother Ginger in the Nutcracker. Here's a link to a site that compares the three versions.
While watching John Travolta in the new Hairspray, I was struck by how natural it seemed to have him play the mother, and realized that I've been watching him for over 30 years - not just in movies or TV but in interviews and on talk shows where he frequently shows the nurturing side of his personality. His Edna seems genuinely maternal and what fun it is to watch Travolta make Edna dance - both on her own, and with Christopher Walken as Edna's husband Wilbur.
I liked the energetic young Nikki Blonsky as Tracy, and was glad to see Queen Latifa get some time to shine as Motormouth Maybelle. Jerry Stiller played Wilbur in 1988, but shows up here as the proprietor of a plus-sized clothing store. Maybe you know the other young stars like Zac Efron, Elijah Kelley, and Amanda Bynes - they were new to me although I'd seen Brittany Snow before.
The actor playing TV show host Corny Collins is James Marsden - known for the X-men movies. I'm keeping my eye on him in future. Allison Janney, Paul Dooley and Ricki Lake, the original Tracy Turnblad, show up in small rolls. And circling back to Stardust - Michelle Pfeiffer has a lot of fun playing another villainess - and gets to sing and dance this time.
Next time I promise to show up with flowers.
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