Wordless Wednesday :: Schooldaze ~ Seventh Grade

Wordless Wednesday :: Up, Up, and Away!

The Great Forest Park Balloon Race
St. Louis, Missouri September 1994Copyright © 1994/.. by Rebeckah R. Wiseman

Beachcombing #2

Padre Island National Seashore
Corpus Christi, Texas
February 17, ..

Indoor Bike Activities

Now that it's getting colder out, it's time for some indoor bike activities.

Like wrapping and shellacking handlebars. These are the new Nitto Noodle bars on the Co-Habitant's roadbike. We have wrapped and shellacked bars so often at this point, that it's become second nature. He is the wrapper. I am the shellacker. It is satisfying to smear the amber shellac onto that pristine white tape and watch it transform into a warm caramel colour. Makes me think of candy apples.

And in case you are wondering, yes those are reindeer pajama bottoms. Très chic, non?

Raleigh DL-1 Restoration!

In the excitement of describing the A.N.T. Open House, I forgot to mention that on the same weekend I picked up my Raleigh DL1 Lady's Tourist from the shop.

Here she is, in her restored glory. See this post for the "before" shots.

The DL1 had an extensive tune up that included bottom bracket replacement, rod brake adjustment, and lowered gearing (22 tooth rear cog) to make climbing hills easier.

Then of course there are the aesthetic changes: The old tires have been replace with the gorgeous cream Schwalbe Delta Cruisers, a full chaincase and vintage-style rope dressguards have been installed, and a frame pump has been added.

The rope dressguard is something I had envisioned on this bicycle from the very start, and hunting one down was not an easy task. Finally, a very kind gentleman found these for me in Portugal, and I am eternally grateful!

In the earlier days of the loop frames, this was probably the most common style of dressguards. There were simple versions like this one, as well as elaborate crochet versions. The dressguards attach with hooks directly to holes drilled into the fender.

On the bottom, the cords are gathered onto a hook-like contraption that attaches to the bolt that holds the rear stays together.

Close-up of the rod brakes, curved top tube and frame pump. I find it surprising that the frame pump was intended to fit between the tubes and I don't think it looks very good there - disrupting the flow of the frame's curvature. So I may remove it and just leave the braze-ons empty. Still, I wonder why they didn't place the attachment behind the seat tube?

Close-up of the Raleigh headlight mount. The heron on this one seems to be smiling.

Today I took the DL1 out for her first ride. She is extremely comfortable: stable, smooth, relaxed. The seat-tube angle is much slacker than either on the Lady's Sports or on the Pashley Princess, and it was a pleasant surprise to ride in that position. One interesting thing, is that this bicycle is absolutely silent - both pedaling and coasting. Neither of our other vintage bikes are like that, and I wonder what accounts for the DL1's quiet demeanor. In any case, I am not complaining, and I am thankful to Adam Rankin at Harris Cyclery for all the work he did to make it such a nice ride!

The first ride was meant to be just a short one, because the rod brakes still need some adjustment - But the bicycle was so easy-going, that I ended up cycling all over the neighborhood. Here she is locked up at the grocery store. During the time I was out, four people stopped to talk to me about the bike, being especially interested in the dressguards. Everyone loves beautiful vintage bicycles, and the Raleigh DL1 is one of the most iconic.

Hershey Thousand Trails

The 39 steps

My commute.

The Art of Exuberant Subtlety

Squinting in the harsh mid-day light and holding my breath, I rolled this rare machine I had been entrusted with across the grassy clearing.I leaned it against a tree. I arranged it amidst some flowers. Ipositioned it this way and that, in the sunshine and in shadow. With the camera to my eye, I crouched, I kneeled, I loomed, I stepped back. And yet, the bicycle refused to draw attention to itself. It was as if in his quest to achieve harmony - a harmony of proportion, colour and form - the builder had gone one step too far. So harmonious was this bicycle, so perfectly at home in these woods on this beautiful spring day, that it was in fact part of the scenery.






To appreciate a JP Weigle, one must appreciate this level of subtlety. There is no Weigle website. Just some flickr pictures, minimal publicity, word of mouth, and one of the longest wait lists in the business. Because tothose in the know, the builder's name is synonymous with randonneuring machines in the classic French tradition, made to the highest standards.Today this style of bike is not as rare - and, by extension, not as striking - as it was just a few years ago. There are fewer heated debates about its low trail geometry and 650B tires. There are also fewer oohs and aahs about its integrated fenders, racks, lighting, handlebar bags and other iconic features. But a Weigle machine is not so much about these things in themselves, as it is about how they are done. They say thatWeigle is the master of the thinned lug, of the French-curve fork blade, of the sculptural, minimalist front rack, of the near-invisible internal wiring,of the perfectly installed fenders. Hardly anyone uses the word "beautiful" to describe his work, although it is assumed. The words used are: meticulous, impeccable, flawless.It is by design that no part of a Weigle calls attention to itself.






In his ruralConnecticutworkshop, JP (Peter) Weigle has a presence that is as quietly compelling as one of his creations. Dressed in gray on gray and of serene disposition, he is easy to miss in a room full of colourful jerseys and animated conversation."But where is Peter?" visitors ask. Eventually he is spotted, in a corner, speaking in a muted yet impassioned tone as he points to some tiny detail on either his own frame or a vintage one in his custody. On my visit I was treated to a Jo Routens, stripped of paint, its brazed joints exposed to be studied. And beside it was the yet-unpainted bike I was trying to photograph now - nearly ready.






The future owner, Elton (second from the left), left the paint colour up to Peter, confident that whatever the builder chose would be right for the bike.






The racing green frame with nickel-plated fork blades and stays is a congruent combination of darks and lights, of matte and reflective surfaces.






The embellishments - such as the lug cutouts filled with tiny bursts of red and the golden box lining - are noticeable only on close inspection, but are so numerous and discreet that one could spend hours looking over the bike and still miss some.






The lugs are thinned out to such an extent, that they are almost flush with the tubes. It is difficult to get their intricate shorelines to show up on camera. No doubt it is to highlight this aspect of the construction that lug outlining has been omitted.






In addition to the frame and fork, Peter made the canti-mount front rack






which features a left-side light mount extension






and sits low and stable on the bike, the platform secured to the front fender.






He also made the rear rack,






which attaches both at the dropouts and at the canti bosses.






The custom cable hanger and tail light are also his own work, as is the reworked ("Special OH-HEC") pump - poorly pictured here, but lovely.






The internally routed dynamo-powered lighting was set up in collaboration with AT Électricalités - aka "Somervillain," who now moonlights as a bike electrician of renown skill. He explains how he set up the lighting step by step here. Examining the bike in person, the entry and exit points of the wiring are extremely difficult to spot even if you know where they are.






The rest of the build the owner put together himself. It included a Grand Bois stem and decaleur,






modern Rene Herse crankset,






Shimano Dura Ace rear derailleur and cassette,








9-speed Campagnolo ergo shifters,





vintage Mafac brakes






Handbuilt wheels around Pacenti rims, with a Chris King hub in the rear and a Schmidt SON dynamo hub in the front, and of course Grand Bois Hetre (extra leger!) 650Bx42mm tires,






Gilles Berthoud touring saddle,






Berthoud handlebar bag,






and long coverage Honjo fenders, which Peter Weigle installed using his own special method prior to Elton doing the rest of the build.





The elegant Nitto bottle cages are a nice complement to the build,






as are the two-tone Crankbrothers pedals and Wippermann chain.






Even after such a long description, there are many details I've missed. I need a clearer background and softer lighting to really do justice to it all. The curve of the brake bridge, the hidden lug cutouts, the pump peg, the delicate little braze-ons... this is a bike whose beauty "unfolds" the more closely you look at it. But standing there in a patch of woods, it makes you think about cycling rather than its own self. And Elton surely has plans to do some brevets on this beautiful machine this season. In the meantime he has been commuting on it to work.






Living in New England, I've been lucky enough to encounter a few Weigle bikes "in the wild" (for example, this one), made over the span of several decades. Like a number of other well known American builders, Peter Weigle got his start at Witcomb Cycles in London, UK in the early 1970s. And while today he is best known for his low trail randonneuring machines with 650B wheels, he did not begin working on such designs until 2005-2006. Before then there were Weigle racing bikes, mountain bikes, touring bikes - all showing the fashions of the times, yet also his distinct brand of elaborately subtle detail. I feel fortunate to have seen some of these bicycles and spoken to their owners.




Peter Weigle's small workshop in the woods is neat and tidy when visitors appear. The builder's friends tease that he never allows anyone to watch him work, his technique being top secret. Whatever the secret is, the results continue to entice bicycle lovers to dream of his machines, whether admiring them from afar or putting their names on the years-long wait list.